The following account of how hand-made bricks were made comes from The National Encyclopædia, William Mackenzie, London, published circa 1864.

In making ordinary English bricks, the topsoil, or encallow, is first removed from the clay, which is dug and turned over in the winter. Exposure to wet and frost prepares it for use by the spring, when fine ashes are added to it in the proportion of one-fifth ashes to four-fifths clay, or 60 chaldrons to 240 cubic yards, which will make 100,000 bricks. The clay and ashes being well mixed by digging, watering, and raking backwards and forwards with a pronged hoe, the mass is removed in barrows to the pug-mill, which consists of an upright barrel in which a series of strong iron knives and teeth are caused to revolve by the power of a horse walking in a circular path, so as to cut and masticate the clay very thoroughly as it passes from the top of the barrel to an aperture provided for the exit at the bottom. 

As the clay oozes out of the mill, it is removed with a cuckhold, or convex shovel, and covered with sacks to prevent it drying too fast. A person called the feeder takes from the stock of clay thus prepared a piece about the size of a brick, covers it with sand, and passes it to the moulder, who throws it with some force into a wooded mould, of the size and shape of the brick, which mould is previously sanded. Having filled the mould, the moulder cuts off any superfluous clay with a stick kept in a bowl of water by his side, and then removes the back and sides of the mould, after which the soft brick is carefully transferred from the bottom board of the mould to the pallet-board, and, when a sufficient number have been moulded, is conveyed with others to the hacks, which are long level lines raised about 4 inches from the surface of the field, and formed about 2 feet 6 inches wide. 

The upper surfaces of the bricks are previously sanded, and great care is taken to avoid twisting or otherwise injuring their shape in transferring them to the hacks, on which they are laid in two rows, with a little space between each to allow the free circulation of air. When partially dried, the bricks are removed, placed diagonally, with wider apertures, and with the bottom bricks brought to the top; and after this process, which is called skintling, they are removed to the kiln or clamp, which is a vast pile of bricks, laid together as closely as possible, on a slightly concave foundation of brick rubbish, the raised ends of which face the north and south. On this foundation the new bricks are built up in lots of necks, of which the centre one, which is the first erected, is vertical, while the others, owing to the concavity of the foundation, have a slight inclination towards it. 

Small spaces, filled with breeze, are left among the lowest courses of bricks. Flues or live-holes, about the width of a brick, and from six to nine feet apart, are also formed to aid the lighting of the clamp, and filled with dry bavins or wood. When full, the clamp is surrounded by old bricks, or by the driest of those newly made, and a thick layer of breeze is spread on the top. The external bricks are coated with a thin plastering of clay; and, if the weather proves wet, the kiln is protected by loos, or hurdles interwoven with rushes. The fire is lighted at the mouths of the flues or live-holes, which are closed when it burns well; and in favourable weather the bricks will be completely burnt in about twenty-five or thirty days, in the course of which time the cindery matter dispersed through their substance becomes gradually ignited and consumed. Such bricks as are found to be imperfectly burnt are put into the next clamp to be burned again. Those that are sufficiently burnt are separated, according to quality, into hard sound stocks, or inferior soft red bricks; and burrs, or clinkers, which are black-looking masses of vitrified brick, of very inferior value. 

Kindly contributed by Chris Reynolds Chris.Reynolds@tesco.net 
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The following comments contributed by Liz (Greenwich) at pandora@dircon.co.uk 

There are a couple of good books on the subject that are well worth reading.

The Book of Trades or Library of Useful Arts (Vols 1 & 2 pub 1811, Vol 3 pub 1818) These books are published by the Wiltshire Family History Society at around £3 per vol. and can be obtained direct from the Society, from SoG Bookshop Online and from the bookshop at FRC - and any other good genealogy outlet.  

Just within my own researches I have been enlightened by the sections on Brick making, Bookbinding, Tailoring, Printing, Baking, the Iron-founder, the Wheelwright, Ladies Dressmaking, the Cabinet-maker, Basket-maker... Some we often have questions about like Paviour or Feather-worker are included.

Although published early in the century many of these crafts continued in the same fashion for much longer, despite mass-production, as they were truly skilled operations. On Brick making, there are a couple of points to add to Chris' 1867 info. "A gang of brick makers will earn a handsome living; sometimes it happens that the whole gang consists of branches of the same family, as the father and mother, and four or five children of different ages; these will earn from 2 to 3 guineas a week; but they work many hours, and their labour is very hard"  "Bricks when finished are of different colours, according to the clay of which they are made, but they must be all of one size; namely, nine inches long, four inches broad, and two inches and a half thick. A duty of 5s 10d is charged upon every thousand of common bricks; of course this business affords a large revenue to government."

" The most beautiful white bricks made in this country are manufactured at Woolpit in Suffolk; these are brought by means of water carriage to all parts of England where great neatness in brickwork is an object. Stourbridge clay and Windsor loam are esteemed the best for making bricks that are required to bear a very intense heat. These are used for coating furnaces and lining the ovens of glass-houses, where they stand the utmost fury of the fire.” My own generations of brick makers (SHUTTLEs) worked in Berkshire and Surrey- maybe that Windsor loam is in my genes! It is worth mentioning though I can't recall the exact source that there was at one point later in the century a great moral outcry about the employment of women and girls in Brick-making. As I recall it had much to do with their (sensible) habit of tucking up their skirts and working barelegged in the mud - which caused much hypocritical drooling from 'respectable' Victorian gents!

Liz (Greenwich)